Posted 22 August 2013 - 03:19 PM
It is interesting that it is now a law office as the propertry has an interesting legal background.
When the Royal Theatre was planned in 1913, they wanted it bigger and purchased the property at 810 Courtney Street, the May House, immediately behind the theatre property. This allowed them to increase seating within the boundaries of the original Broughton Street lot and have the stage and fly tower on the lot at 810 Courtney.
The consortium of private businessmen who built the Royal soon ran out of funds and everything was mortgaged, including both pieces of property. The mortgage holder at 810 Courtney foreclosed and, from the Daily Times of January 17, 1916 comes this:
"STAGE WITHOUT HOUSE; HOUSE WITHOUT STAGE
Divided Against Itself by Legal Action; Royal Victoria Will Still Stand.
A curious situation is created by the foreclosing of the mortgage on portion of the Royal Victoria Theatre property . The mortgagee finds himself in possession of a theatre auditorium without a stage, while the Victoria Opera House Company is left with a stage without any accommodation for an audience.
The owner of the front half of the property is, however, not so badly off as the owners of the rear portion, especially since the flickering drama seems to be the only sort that Victorians can hope to see. He can gain a screen across the proscenium arch and present to as larger audience as the big auditorium will hold motion picture substitutes for the spoken play.
This situation is probably unique in the history of drama. A house without a stage or a stage without a house is so unthinkable that it requires a little thought to realize the position. Here is an owner of a fine theatre building or one half of it and with all the convenience for seating hundreds of people comfortably. But he cannot produce opera or play for their entertainment. On the other hand the theatre company possesses one of the largest and most adequate stages on the continent, with all the scenic accessories and machinery and with dressing-rooms that are models of comfort. It can stage any attraction on the road, but cannot offer the players any audience to listen to their efforts. Playing to the back of the curtain would be neither satisfying nor profitable.
The wags offer many suggestions as to what use the stage could be put to. It might make a dancing academy, a ball-room or a banquet hall, or, if the dressing-rooms were converted into bedrooms, some one might run a hotel and utilize the stage for a drawing-room for guests. The field for suggestion is as wide as the wildest imagination can range.
As a matter fact, there is no doubt that an arrangement will be come to between the owners of the two portions of the theatre which will enable the whole property to be used as one building should such a thing as a dramatic company ever come here again. Meanwhile the mortgagee is not worrying about what may happen back stage and “The Birth Of a Nation” will be featured forth from the boundary wall of his portion of the theatre this week, stage or no stage."